Dot shall pe mine egscuse. I shall show him
der chudgment."
Mme. Cibot went down to the court, and that very day at seven o'clock
she called to Schmucke. Schmucke found himself confronted with M.
Tabareau the bailiff, who called upon him to pay. Schmucke made
answer, trembling from head to foot, and was forthwith summoned
together with Pons, to appear in the county court to hear judgment
against him. The sight of the bailiff and a bit of stamped paper
covered with scrawls produced such an effect upon Schmucke, that he
held out no longer.
"Sell die bictures," he said, with tears in his eyes.
Next morning, at six o'clock, Elie Magus and Remonencq took down the
paintings of their choice. Two receipts for two thousand five hundred
francs were made out in correct form:--
"I, the undersigned, representing M. Pons, acknowledge the receipt of
two thousand five hundred francs from M. Elie Magus for the four
pictures sold to him, the said sum being appropriated to the use of M.
Pons. The first picture, attributed to Durer, is a portrait of a
woman; the second, likewise a portrait, is of the Italian School; the
third, a Dutch landscape by Breughel; and the fourth, a _Holy Family_
by an unknown master of the Florentine School."
Remonencq's receipt was worded in precisely the same way; a Greuze, a
Claude Lorraine, a Rubens, and a Van Dyck being disguised as pictures
of the French and Flemish schools.
"Der monny makes me beleef dot the chimcracks haf som value," said
Schmucke when the five thousand francs were paid over.
Pages:
848
849
850
851
852
853
854
855
856
857
858
859
860
861
862
863
864
865
866
867
868
869
870
871
872