Gaudissart found investments for his capital in other ventures. He
thought well of Schwab, Brunner, and the Graffs; that firm was
promoting railways, he became a shareholder in the lines. His
shrewdness was carefully hidden beneath the frank carelessness of a
man of pleasure; he seemed to be interested in nothing but amusements
and dress, yet he thought everything over, and his wide experience of
business gained as a commercial traveler stood him in good stead.
A self-made man, he did not take himself seriously. He gave suppers
and banquets to celebrities in rooms sumptuously furnished by the
house decorator. Showy by nature, with a taste for doing things
handsomely, he affected an easy-going air, and seemed so much the less
formidable because he had kept the slang of "the road" (to use his own
expression), with a few green-room phrases superadded. Now, artists in
the theatrical profession are wont to express themselves with some
vigor; Gaudissart borrowed sufficient racy green-room talk to blend
with his commercial traveler's lively jocularity, and passed for a
wit. He was thinking at that moment of selling his license and "going
into another line," as he said. He thought of being chairman of a
railway company, of becoming a responsible person and an
administrator, and finally of marrying Mlle. Minard, daughter of the
richest mayor in Paris. He might hope to get into the Chamber through
"his line," and, with Popinot's influence, to take office under the
Government.
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