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?© de, 1799-1850

"Poor Relations"

And, in truth, both rabid
amateurs were jealous of each other. The old Jew had never hoped for a
sight of a seraglio so carefully guarded; it seemed to him that his
head was swimming. Pons' collection was the one private collection in
Paris which could vie with his own. Pons' idea had occurred to Magus
twenty years later; but as a dealer-amateur the door of Pons' museum
had been closed to him, as for Dusommerard. Pons and Magus had at
heart the same jealousy. Neither of them cared about the kind of
celebrity dear to the ordinary collector. And now for Elie Magus came
his chance to see the poor musician's treasures! An amateur of beauty
hiding in a boudoir or a stolen glance at a mistress concealed from
him by his friend might feel as Elie Magus felt at that moment.
La Cibot was impressed by Remonencq's respect for this singular
person; real power, moreover, even when it cannot be explained, is
always felt; the portress was supple and obedient, she dropped the
autocratic tone which she was wont to use in her lodge and with the
tenants, accepted Magus' conditions, and agreed to admit him into
Pons' museum that very day.
So the enemy was to be brought into the citadel, and a stab dealt to
Pons' very heart. For ten years Pons had carried his keys about with
him; he had forbidden La Cibot to allow any one, no matter whom, to
cross his threshold; and La Cibot had so far shared Schmucke's
opinions of _bric-a-brac_, that she had obeyed him.


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