The flute,
a young man named Wilhelm, like almost all Germans; and Schwab, to
distinguish him from all other Wilhelms, if not from all other
Schwabs, judged it expedient to open Schmucke's eyes to his friend's
state of health. It was a first performance of a piece in which
Schmucke's instruments were all required.
"The old gentleman is failing," said the flute; "there is something
wrong somewhere; his eyes are heavy, and he doesn't beat time as he
used to do," added Wilhelm Schwab, indicating Pons as he gloomily took
his place.
"Dat is alvays de vay, gif a man is sixty years old," answered
Schmucke.
The Highland widow, in _The Chronicles of the Canongate_, sent her son
to his death to have him beside her for twenty-four hours; and
Schmucke could have sacrificed Pons for the sake of seeing his face
every day across the dinner-table.
"Everybody in the theatre is anxious about him," continued the flute;
"and, as the _premiere danseuse_, Mlle. Brisetout, says, 'he makes
hardly any noise now when he blows his nose.'"
And, indeed, a peal like a blast of a horn used to resound through the
old musician's bandana handkerchief whenever he raised it to that
lengthy and cavernous feature. The President's wife had more
frequently found fault with him on that score than on any other.
"I vould gif a goot teal to amuse him," said Schmucke, "he gets so
dull."
"M. Pons always seems so much above the like of us poor devils, that,
upon my word, I didn't dare to ask him to my wedding," said Wilhelm
Schwab.
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