In his eyes the more
harmless forms of vice were the lowest depths of Babylonish iniquity;
he did not believe the stories, he smiled at them for grotesque
inventions. The ingenious reader can see that Pons and Schmucke were
exploited, to use a word much in fashion; but what they lost in money
they gained in consideration and kindly treatment.
It was after the success of the ballet with which a run of success
began for the Gaudissart Company that the management presented Pons
with a piece of plate--a group of figures attributed to Benvenuto
Cellini. The alarming costliness of the gift caused talk in the
green-room. It was a matter of twelve hundred francs! Pons, poor
honest soul, was for returning the present, and Gaudissart had a
world of trouble to persuade him to keep it.
"Ah!" said the manager afterwards, when he told his partner of the
interview, "if we could only find actors up to that sample."
In their joint life, outwardly so quiet, there was the one disturbing
element--the weakness to which Pons sacrificed, the insatiable craving
to dine out. Whenever Schmucke happened to be at home while Pons was
dressing for the evening, the good German would bewail this deplorable
habit.
"Gif only he vas ony fatter vor it!" he many a time cried.
And Schmucke would dream of curing his friend of his degrading vice,
for a true friend's instinct in all that belongs to the inner life is
unerring as a dog's sense of smell; a friend knows by intuition the
trouble in his friend's soul, and guesses at the cause and ponders it
in his heart.
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