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?© de, 1799-1850

"Poor Relations"

Madame Hulot was awaiting Crevel with
the same intentions as had brought him to her, smiling down at the
Paris crowd from his _milord_, three years ago. And, strangest thing
of all, the Baroness was true to herself and to her love, while
preparing to yield to the grossest infidelity, such as the storm of
passion even does not justify in the eyes of some judges.
"What can I do to become a Madame Marneffe?" she asked herself as she
heard the door-bell.
She restrained her tears, fever gave brilliancy to her face, and she
meant to be quite the courtesan, poor, noble soul.

"What the devil can that worthy Baronne Hulot want of me?" Crevel
wondered as he mounted the stairs. "She is going to discuss my quarrel
with Celestine and Victorin, no doubt; but I will not give way!"
As he went into the drawing-room, shown in by Louise, he said to
himself as he noted the bareness of the place (Crevel's word):
"Poor woman! She lives here like some fine picture stowed in a loft by
a man who knows nothing of painting."
Crevel, seeing Comte Popinot, the Minister of Commerce, buy pictures
and statues, wanted also to figure as a Maecenas of Paris, whose love
of Art consists in making good investments.
Adeline smiled graciously at Crevel, pointing to a chair facing her.
"Here I am, fair lady, at your command," said Crevel.
Monsieur the Mayor, a political personage, now wore black broadcloth.
His face, at the top of this solemn suit, shone like a full moon
rising above a mass of dark clouds.


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