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?© de, 1799-1850

"Poor Relations"

The famous young lawyer
had some covert anxiety. His deep reverence for his mother was evident
in the regret with which he gazed at her.
Hortense was evidently absorbed in her own woes; for a fortnight past,
as Lisbeth knew, she had been suffering the first uneasiness which
want of money brings to honest souls, and to young wives on whom life
has hitherto smiled, and who conceal their alarms. Also Lisbeth had
immediately guessed that her mother had given her no money. Adeline's
delicacy had brought her so low as to use the fallacious excuses that
necessity suggests to borrowers.
Hortense's absence of mind, with her brother's and the Baroness' deep
dejection, made the dinner a melancholy meal, especially with the
added chill of the Marshal's utter deafness. Three persons gave a
little life to the scene: Lisbeth, Celestine, and Wenceslas.
Hortense's affection had developed the artist's natural liveliness as
a Pole, the somewhat swaggering vivacity and noisy high spirits that
characterize these Frenchmen of the North. His frame of mind and the
expression of his face showed plainly that he believed in himself, and
that poor Hortense, faithful to her mother's training, kept all
domestic difficulties to herself.
"You must be content, at any rate," said Lisbeth to her young cousin,
as they rose from table, "since your mother has helped you with her
money."
"Mamma!" replied Hortense in astonishment. "Oh, poor mamma! It is for
me that she would like to make money.


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