Indeed, in this new enterprise and new affection, Lisbeth had found
food for her activity that was far more satisfying than her insane
passion for Wenceslas. The joys of gratified hatred are the fiercest
and strongest the heart can know. Love is the gold, hatred the iron of
the mine of feeling that lies buried in us. And then, Valerie was, to
Lisbeth, Beauty in all its glory--the beauty she worshiped, as we
worship what we have not, beauty far more plastic to her hand than
that of Wenceslas, who had always been cold to her and distant.
At the end of nearly three years, Lisbeth was beginning to perceive
the progress of the underground mine on which she was expending her
life and concentrating her mind. Lisbeth planned, Madame Marneffe
acted. Madame Marneffe was the axe, Lisbeth was the hand the wielded
it, and that hand was rapidly demolishing the family which was every
day more odious to her; for we can hate more and more, just as, when
we love, we love better every day.
Love and hatred are feelings that feed on themselves; but of the two,
hatred has the longer vitality. Love is restricted within limits of
power; it derives its energies from life and from lavishness. Hatred
is like death, like avarice; it is, so to speak, an active
abstraction, above beings and things.
Lisbeth, embarked on the existence that was natural to her, expended
in it all her faculties; governing, like the Jesuits, by occult
influences. The regeneration of her person was equally complete; her
face was radiant.
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