For
five years I was very happy. The girl had one of those voices that
make the fortune of a theatre; I can only describe her by saying that
she is a Duprez in petticoats. It cost me two thousand francs a year
only to cultivate her talent as a singer. She made me music-mad; I
took a box at the opera for her and for my daughter, and went there
alternate evenings with Celestine or Josepha."
"What, the famous singer?"
"Yes, madame," said Crevel with pride, "the famous Josepha owes
everything to me.--At last, in 1834, when the child was twenty,
believing that I had attached her to me for ever, and being very weak
where she was concerned, I thought I would give her a little
amusement, and I introduced her to a pretty little actress, Jenny
Cadine, whose life had been somewhat like her own. This actress also
owed everything to a protector who had brought her up in
leading-strings. That protector was Baron Hulot."
"I know that," said the Baroness, in a calm voice without the least
agitation.
"Bless me!" cried Crevel, more and more astounded. "Well! But do you
know that your monster of a husband took Jenny Cadine in hand at the
age of thirteen?"
"What then?" said the Baroness.
"As Jenny Cadine and Josepha were both aged twenty when they first
met," the ex-tradesman went on, "the Baron had been playing the part
of Louis XV. to Mademoiselle de Romans ever since 1826, and you were
twelve years younger then----"
"I had my reasons, monsieur, for leaving Monsieur Hulot his liberty.
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