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Webster, Henry Kitchell, 1875-1932

"The Real Adventure"


Forces she was vaguely aware had been at work, but didn't realize the
seriousness of, had been undermining it steadily since the opening night
when she recognized Jimmy Wallace in the audience, and when later she
parted from Galbraith with his promise of a New York job as soon as he
could get his own affairs ready for her.
Chief of these forces was the simple reaction of fatigue. Strong as she
was, she had abused her strength somewhat during the last weeks of
rehearsal; had taken on and triumphantly accomplished more than any one
has a right to accomplish without calculating on replacing his depleted
capital of energy afterward. It was her first experience with this sort
of exhaustion, and she hadn't learned (indeed it is a lesson she never
did fully learn) to accept the phase with philosophic calm as the
inevitable alternate to the high-tension effective one.
She missed Galbraith horribly. She had, as she'd told him, personified
the show as a mere projection of himself; he was it and it was he.


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