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"Well, then, look here," he said. "I've an idea that I could use you to
good advantage as a sort of personal assistant. There'll be a good deal
of work just of the sort you did with the sextette, teaching people to
talk and move about like the sort of folk they're supposed to represent.
That's coming in more and more in musical comedies, the use of the
chorus as real people in the story--accounting for their exits and
entrances. It would be done more if we could teach chorus people to act
human. Well, you can do that better than I; that's the plain truth. And
then I think after you'd got my idea of a dance number you could
probably rehearse it yourself, take some of that routine off my hands.
Under this new contract of mine, that I expect to sign in a day or two,
I'll simply have to have somebody. And then, of course, there's the
costuming. That's a great game, and I've a notion, though of course I
haven't a great deal to go by, that you could swing it. I think you've a
talent for it.


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