Below, the smaller type of a chorus reeled and shook through all
its lines. Set up by an intoxicated compositor.
Under the Euripides was the piled up manuscript of Rickman's great
neo-classic drama, _Helen in Leuce_. He implored Spinks to read it.
(Spinks was a draper's assistant and uncultured.) He thrust the
manuscript into his hands.
"There," he said, "rea' that. Tha's the sor' o' thing I write when I'm
drunk. Couldn' do it now t' save my life. Temp'rance been _my_ ruin."
He threw himself on his bed.
"It's all righ'. At nine o'clock to-morrow morning, no--at a quar'er
pas' nine, I mean three quar'ers pas' nine, I shall be drunk. Not
disgustingly and ridicklelously, as you are, Spinky, at this minute,
but soo-p-p-perbubbly, loominously, divinely drunk! You don' know what
I could do if I was only drunk."
"Oh, come, I shouldn't complain, if I was you. You'll do pretty well
as you are, I think."
With an almost maternal tenderness and tact Mr. Spinks contrived to
separate the poet from his poem. He then undressed him. That is to
say, by alternate feats of strength, dexterity and cunning, he
succeeded in disengaging him from the looser portion of his clothing.
From his shirt and trousers Rickman refused to part, refused with a
shake of the head, slow, gentle, and implacable, and with a smile of
great sweetness and gravity and wisdom. He seemed to regard those
garments with a peculiar emotion as the symbols of his dignity, and
more especially, as the insignia of sobriety.
Pages:
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84