]
[Footnote 41: The author of this exquisite chant is unknown: Baini
supposes that he was a member of the pontifical choir: it has been
sung in the papal chapel since the middle of the 13th century. In 1585
it, together with the rest of the service of holy week, was published
by Tommaso da Vittoria with the words of the people harmonised for 4
and 5 voices; his method was adopted by the papal choir, which adorns
it with many traditional graces, and in particular gives occasionally,
says Baini, to the words of the multitude "the irresistible force of
a most robust harmony". The abbate Alfieri has published a new edition
of the _Passios_.]
[Footnote 42: In Africa till the time of S. Augustine, the Passion
used to be read in holy week from the gospel of S. Matthew alone; but
by his direction, as he mentions in his 232nd discourse, it was read
every year from all the four evangelists; and this custom is still
observed.]
[Footnote 43: That God, after He has pardoned sin and consequently
remitted its eternal punishment, often, if not generally, demands
temporal satisfaction from the sinner, is evident from many instances
in scripture, such as those of David (2 Sam. XII) of Moses (Deuteron.
XXXII compare Num. XIV) to say nothing of Adam (Gen. III) and all his
posterity, who endure the temporal punishment of original sin, even
when its stain has been washed away by baptism. Now the church by
virtue of the ample authority with which Christ has invested her
(Matt.
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