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Various

"Punch, or the London Charivari, Volume 158, March 17, 1920"


And the sooner the better, for all of us.
* * * * *
There be novelists so fertile in literary resource or so catholic in
their choice of subject that the reader is never sure, when he
picks up their latest masterpiece, whether he is to have a comedy of
manners, a proletarian tragedy, a tale of Court intrigue or a satire
on the follies of the age. To the steady-going devotee of fiction--the
reader on the Clapham omnibus--this versatility is a source of
annoyance rather than of attraction, and I accordingly take pleasure
in stating that by those who like a light narrative, in which mystery
and romance are pleasingly blended, the author of _The Pointing Man_
can be relied upon to rill the bill every time. Conformity to type is
a strong point with this author as far as the mystery and romance are
concerned, but within those limits he (or she) provides an admirable
range of scene, character and plot. In _The Further Side of the
Door_ (HUTCHINSON), the once handsome and popular hero emerges from
a war-hospital badly disfigured and is promptly jilted by his fiancee
and avoided, or so he thinks, by his acquaintances.


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