Well could the heartless reviewer of _Adonais_
write:--"If criticism killed the disciples of that [the Cockney]
school, Shelley would not have been alive to write an elegy on another."
115. _Eye in a fine phrenzy rolling_. Shakespeare's _Midsummer-Night's
Dream_, V, 1, 12.
115. _Above this visible diurnal sphere_. Milton's _Paradise Lost_, Book
VII, 22.
116. _Parca quod satis est manu_. Horace, _Odes_, III, 16, 24.
116. _Lord Fanny_. A nickname bestowed upon Lord Hervey, an effeminate
noble of the time of George II.
117. _O! rus, quando ego te aspiciam_. Horace, _Satires_, II, 6, 60.
117. _Mordecai_. See Book of _Esther_, V, 13.
118. _Last of the Romans_. Mark Antony in Shakespeare's _Julius Caesar_,
III, 2, 194.
120. _Full fathom five_. Shakespeare's _The Tempest_, I, 2, 396.
126. _Ohe! jam satis est_. Horace, _Satires_, I, 5, 12-13.
126. _Tristram Shandy_. The excommunication is in vol. III, chap. XI.
133. _Put a girdle_, etc. See Shakespeare's _Midsummer-Night's Dream_,
II, 1, 175.
JOHN KEATS
The history of English poetry offers no more interesting case between
poet and critic than that of John Keats.
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