The length to which our extracts and observations have already extended,
necessarily restrains us within more narrow limits in this part of our
citations; but it will not require much labour to find a pretty decided
contrast to some of the passages we have already detailed. The song on
the restoration of Lord Clifford is put into the mouth of an ancient
minstrel of the family; and in composing it, the author was led,
therefore, almost irresistibly to adopt the manner and phraseology that
is understood to be connected with that sort of composition, and to
throw aside his own babyish incidents and fantastical sensibilities. How
he has succeeded, the reader will be able to judge from the few
following extracts.
[Quotes fifty-six lines of _Lord Clifford_.]
All English writers of sonnets have imitated Milton; and, in this way,
Mr Wordsworth, when he writes sonnets, escapes again from the trammels
of his own unfortunate system; and the consequence is, that his sonnets
are as much superior to the greater part of his other poems, as Milton's
sonnets are superior to his.
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