IV. Historical and Portrait Painters.
V. Baudry, Delaunay, Bonvin, Vollon, Gervex,
Duez, Roll, L'Hermitte, Lerolle, Beraud,
The Illustrators.
VI. Manet and Monet.
VII. Impressionism; Degas.
VIII. The Outlook.
IV. Classic Sculpture, 139
I. Claux Sluters.
II. Jean Goujon.
III. Style.
IV. Clodion, Pradier, and Etex.
V. Houdon, David d'Angers, and Rude.
VI. Carpeaux and Barye.
V. Academic Sculpture, 165
I. Its Italianate Character.
II. Chapu.
III. Dubois.
IV. Saint-Marceaux and Mercie.
V. Tyranny of Style.
VI. Falguiere, Barrias, Delaplanche, and Le Feuvre.
VII. Fremiet.
VIII. The Institute School in General.
VI. The New Movement in Sculpture, 205
I. Rodin.
II. Dalou.
I
CLASSIC PAINTING
I
More than that of any other modern people French art is a national
expression. It epitomizes very definitely the national aesthetic judgment
and feeling, and if its manifestations are even more varied than are
elsewhere to be met with, they share a certain character that is very
salient.
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