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Dobie, Charles Caldwell, 1881-1943

"The Blood Red Dawn"

He had never seen her quite so frankly behind the scenes,
robbed of both her physical and mental make-up. She was one of those
women in middle age who adapt themselves to the tone of their background
and while she contrived to strike a fairly vivid note, she took care not
to be discordant. She was clever enough to realize that her talents
were not sensational and that she could only hope for an indifferent
success as a professional. But in the role of a gracious amateur she
disarmed criticism and forced her way into circles that might otherwise
have been at some pains to exclude her. For, if the truth were known,
there had been certain phases of Mrs. Condor's earlier life which were
rather vaguely, and at the same time aptly, covered by Mrs. Finnegan's
term of "gay." A perfectly discreet woman, for instance, would have made
an effort to live down her flaming hair and almost immorally dazzling
complexion, but Mrs. Condor had been much more ready to live _up_ to
these conspicuous charms. In fact, she had lived up to them pretty
furiously, until time began to take a ruthless toll of her contrasting
points. From the concert-platform she still seemed to discount, almost
to flout, the years, but in secret she yielded unmistakably to their
pressure.
It was this yielding, pliant attitude that struck Stillman as he came
upon her almost unawares on that early December afternoon, a yielding,
pliant attitude which gave a curious sense of tenacity under the
surface.


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