Not that Mr. Flint was a wolf in sheep's clothing; he played the part of
sheep, but he needed no disguise for his performance; he merely lived up
to a sort of flock-mind consciousness where women were concerned.
The group clustered about Miss Munch broke up at the approach of Mr.
Flint, who gave a significant glance in the direction of Claire Robson,
intent upon her morning work. But the excitement persisted in spite of
the scattered auditors, and the fact was mysteriously communicated that
Miss Munch's interest in the event was chargeable to her hopes. It
seemed impossible to Miss Munch that any one but herself could succeed
to the vacant post of stenographer-in-chief.
At precisely eleven o'clock the buzzer on Claire Robson's desk hummed
three times. This announced that she was wanted by Mr. Flint. She
gathered her note-book and pencils and answered the call.
Mr. Flint was busy at the telephone when Claire entered the private
office. She seated herself at the flat oak table in the center of the
room.
Mr. Flint's office bore all the conventional signs of
business--commissions of authority from insurance companies, state
licenses in oak frames, an oil-painting of Thomas Sawyer Flint, the
founder of the firm, over a fireplace that maintained its useless
dignity in spite of the steam-radiator near the window. On his desk was
the inevitable picture of his wife framed in silver, a hand-illumined
platitude of Stevenson, an elaborate set of desk paraphernalia in beaten
brass that bore little evidence of service.
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