I think then I should have drawn Mrs. Strickland quite
differently. I should have abandoned the facts and made her a
nagging, tiresome woman, or else a bigoted one with no
sympathy for the claims of the spirit. I should have made
Strickland's marriage a long torment from which escape was the
only possible issue. I think I should have emphasised his
patience with the unsuitable mate, and the compassion which
made him unwilling to throw off the yoke that oppressed him.
I should certainly have eliminated the children.
An effective story might also have been made by bringing him
into contact with some old painter whom the pressure of want
or the desire for commercial success had made false to the
genius of his youth, and who, seeing in Strickland the
possibilities which himself had wasted, influenced him to
forsake all and follow the divine tyranny of art. I think
there would have been something ironic in the picture of the
successful old man, rich and honoured, living in another the
life which he, though knowing it was the better part, had not
had the strength to pursue.
The facts are much duller.
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