These streamlets are like lost babes in the
great world into which they are sent adrift, and that is why they leave
stones, as they go forth, to mark their course, so as not to lose their
way when they may be returning. But for them there is no return journey!
NATORE,
_2nd December_ 1892.
There is a depth of feeling and breadth of peace in a Bengal sunset behind
the trees which fringe the endless solitary fields, spreading away to the
horizon.
Lovingly, yet sadly withal, does our evening sky bend over and meet the
earth in the distance. It casts a mournful light on the earth it leaves
behind--a light which gives us a taste of the divine grief of the Eternal
Separation[1] and eloquent is the silence which then broods over earth,
sky, and waters.
[Footnote 1: _I.e._ between Purusha and Prakriti--God and Creation.]
As I gaze on in rapt motionlessness, I fall to wondering--If ever this
silence should fail to contain itself, if the expression for which this
hour has been seeking from the beginning of time should break forth, would
a profoundly solemn, poignantly moving music rise from earth to starland?
With a little steadfast concentration of effort we can, for ourselves,
translate the grand harmony of light and colour which permeates the
universe into music. We have only to close our eyes and receive with the
ear of the mind the vibration of this ever-flowing panorama.
But how often shall I write of these sunsets and sunrises? I feel their
renewed freshness every time; yet how am I to attain such renewed
freshness in my attempts at expression?
SHELIDAH,
_9th December_ 1892.
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